Rave Motion Picture 16

Technical Information Actual Screen Size 37" Compatible Technology EDTV Viewing Angle >160 degrees Aspect Ratio 16:9 Sleep/Wakeup Timer Sleep Features Auto off Picture in Picture Picture on Picture Remote Control Standard Video Video System NTSC PAL SECAM Resolution 852 x 480 Contrast Ratio 4000:1 Brightness 1000 Nit Comb Filter 3D Y/C Digital Audio Speakers 2 x 8W Speaker(s) Audio Decoding Stereo Sound System Surround - Virtual Controls/Indicators Language Supported English German French Italian Russian Spanish Chinese Interfaces/Ports Ports RS-232C BNC Component Video Input BNC Composite Video Input BNC Composite Video Output S-Video In 3 x Audio In Physical Characteristics Dimensions 21.7" Height x 36.2" Width x 3.5" Depth Weight 55.1 lb Miscellaneous Additional Information Up to 60,000-hour panel life 3D Color Management System New bottom-mounted button controls Motion Picture Noise Disturbance Reduction Active Interlace/Progressive Conversion System Displayable Colors(billions): 3.62 (full time), 8. Electronics TV & DVD Televisions Walmart http://www.tonsofspecials.com/cgi-bin/getImage.cgi?749344 1593.00 http://www.tonsofspecials.com/sales.php?749344

THE written word and what the eye can see are brought together in this fascinating foray into the depiction of resistance to slavery through the modern medium of film. Davis, whose book The Return of Martin Guerre was written while she served as consultant to the French film of the same name, now tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films: Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998). Davis shows how shifts in the viewpoints of screenwriters and directors parallel those of historians. Spartacus is polarized social history; the films on the Caribbean bring ceremony and carnival to bear on the origins of revolt; Amistad and Beloved draw upon the traumatic wounds in the memory of slavery and the resources for healing them. In each case Davis considers the intentions of filmmakers and evaluates the film and its techniques through historical evidence and interpretation. Family continuity emerges as a major element in the struggle against slavery. Slaves on Screen is based in part on interviews with the Nobel prize -- winning author of Beloved, Toni Morrison, and with Manuel Moreno Fraginals, the historical consultant for The Last Supper. Davis brings a new approach to historical film as a source of "thought experiments" about the past. While the five motion pictures are sometimes cinematic triumphs, with sound history inspiring the imagination, Davis is critical of fictive scenes and characterswhen they mislead viewers in important ways. Good history makes good films.

Golden Globe Award for Best Supporting Actress - Motion Picture - The Golden Globe Award for Best Supporting Actress - Motion Picture was first awarded by the Hollywood Foreign Press Association in 1944 for a performance in a motion picture released in the previous year.

Columbia TriStar Motion Picture Group - Columbia TriStar Motion Picture Group is the result of a merger of two previously successful motion picture groups; TriStar Pictures and Columbia Pictures. The company is a division of Sony Pictures.

Motion Picture Association - The Motion Picture Association (MPA) is the international counterpart of the Motion Picture Association of America. It was formed in 1945 as the

Golden Globe Award for Best Actress - Motion Picture Musical or Comedy - The Golden Globe Award for Best Actress - Motion Picture Musical or Comedy was first awarded by the Hollywood Foreign Press Association as a separate category in 1951. Previously, there was a single award for "Best Actress in a Motion Picture" but the splitting allowed for recognition of it and the Best Actress - Drama.

ravemotionpicture16

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