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Motion Picture Industry
 Movie-Struck Girls: Women and Motion Picture Culture After the Nickelodeon by Shelley Stamp, Movie-Struck Girls examines women's films and filmgoing in the 1910s, a period when female patronage was energetically courted by the industry for the first time. Female audiences were talked about, catered to, and debated more thoroughly during these years than perhaps any other point in American history. By looking closely at how women were invited to participate in movie culture, the films they were offered, and the visual pleasures they enjoyed, Shelley Stamp demonstrates that women significantly complicated cinemagoing throughout this formative, transitional era. Growing female patronage and increased emphasis on women's subject matter did not necessarily bolster cinema's cultural legitimacy, as many in the industry had hoped, for women were not always enticed to the cinema by dignified, uplifting material, and once there, they were not always seamlessly integrated in the social space of theaters, nor the new optical pleasures of film viewing. In fact, Stamp argues that much about women's films and filmgoing in the postnickelodeon years challenged, rather than served, the industry's drive for greater respectability. White slave films, action-adventure serial dramas, and women's suffrage photoplays all drew female audiences to the cinema with stories aimed directly at women's interests and with advertising campaigns that specifically targeted female moviegoers. Yet these examples suggest that women's patronage was built with stories focused on sexuality, sensational thrill-seeking, and feminist agitation, topics not normally associated with ladylike gentility. And in each case concerns were raised about women's conduct at cinemas and the viewing habits they enjoyed, demonstratingthat women's integration into motion picture culture was not as smooth as many have thought.
 Practical Art of Motion Picture Sound by David L. Yewdall, Practical Art of Motion Picture Sound embraces the subject of sound for films. Based on the experience of the author and other top sound craftspeople and firmly grounded in practical techniques, this book provides numerous real-life examples and relevant technical data, as well as an appreciation of all the processes involved in creating motion picture sound. This edition is completely revised, with all-new chapters on 5.1, the Nagra IV-S, and the Nagra V. The ProTools content is expanded, and there are new sections on how to record Foley in Pro Tools and the concept of ADR/looping. The accompanying audio CD presents demonstration material as well as a large library of sound effects, while numerous charts, illustrations, and photographs help to demonstrate techniques and common industry practices.
Motion Picture & Television Country House and Hospital - The Motion Picture & Television Country House and Hospital is a motion picture and television industry complex complete with a retirement community, with individual cottages, and a fully licensed, acute-care hospital, located at 23388 Mulholland Drive in Woodland Hills, California. Motion Picture Alliance for the Preservation of American Ideals - The Motion Picture Alliance for the Preservation of American Ideals (MPA) was an organization of politically conservative movie workers who wanted to defend the movie industry against Communist infiltration. Motion picture terminology - The film industry is built upon a large number of technologies and techniques, drawing upon photography, stagecraft, music, and many other disciplines. Following is an index of specific terminology applicable thereto. Academy Award for Best Picture - The Academy Award for Best Picture is one of the awards given to people working in the motion picture industry by the Academy of Motion Picture Arts and Sciences; the awards are voted on by other people within the industry. As is the customary practice in Wikipedia for listing Oscar results, the winner of the award for that year is listed first, followed by the runners-up.
motionpictureindustry
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